Everyone is probably familiar with the good old ebook backlog. I tend to start planning my Bingo with those to try to knock at least a couple off the list, but between being a mood reader, ARCs and more kindle sales…well. At least I managed it with this one. Even though I wasn’t really in the mood and probably wouldn’t ever be, it was perfect for the Wibbly Wobbly Timey Wimey square. In the end, I am left with mixed feelings. While the premise was interesting enough to keep me from DNFing, the characters and parts of the plot were underwhelming to say the least.
I’ve been disappointed by so many highly anticipated books with amazing premises this year that it made me a little wary of starting another. Even if it seemed almost tailor-made for me. But this was luckily the real deal. I loved it. From the first chapter on, I absolutely loved it. From the language geekery, to the brutal takedown of British colonialism and the fact that I kept being pulled back to it whenever I put it down, it completely lived up to the hype for me.
He hated this place. He loved it. He resented how it treated him. He still wanted to be a part of it – because it felt so good to be a part of it, to speak to its professors as an intellectual equal, to be in on the great game.
Thanks to the publisher (Del Rey) for the ARC of this book.
Finally, finally, after nearly two weeks of struggling, I am done with this book. I don’t think I’ve ever had such complicated feelings before, or struggled as much with a book I couldn’t help but see as excellent in many ways. I wonder if perhaps I might have loved it in another mood and another time, if it’s me or the book, but in the end, it’s no use.
In my private goodreads notes for this book, I had apparently written “Ada Palmer rec’d it to me cause I like Terra Ignota’s worldbuilding.” I have no idea when or how this happened (twitter? An AMA?) but oh, was it correct. It’s, in some ways, an old-style first contact story, very reminiscent of Le Guin, with plenty of human/alien cultural worldbuilding. But in other ways, it’s very much modern, with some very interesting takes on gender and a post-capitalist world struggling to repair the damage done to Earth. It did not truly hook me until about 60% in, but the worldbuilding indeed intrigued me right from the start.
Thanks to the publisher (Tachyon Publications) for the ARC of this book.
It’s no secret that I am weak for beautiful covers. I was a little wary, wondering if I was ready to read something epidemic-themed (a fear that luckily proved to be unfounded), but it was so pretty and the concept seemed so interesting. Unfortunately, while a good effort, it’s another of those novellas that really should have been novels with how much they try to do to the point the pacing and plot suffer.
Still behind on two reviews from the April reading frenzy, plus with a more recently read anthology and another DNF, it’s time for mini reviews yet again. All of them were read (or, in the case of Aurora’s Angel, attempted) for this year’s r/Fantasy Bingo, respectively the Revolutions & Rebellions, No Ifs, Ands or Buts, Short Stories, and Shapeshifters squares.
I loved The Breath of the Sun and its prose so much the author landed on my auto-buy list. How could I not try Dead Collections as soon as I could get my hands on it? Especially with this gorgeous cover, especially when the premise is “trans archivist vampire”? Luckily, it was very much not another highly anticipated disappointment, but delivered exactly what I wanted – quiet, messily queer literary fantasy with excellent prose.
It’s again time for another round of mini reviews to catch up on my backlog – this time two novels I finished back in March but couldn’t give full reviews to, and two novellas. Once again without any DNFs or books I’d dislike 😊
I’m not sure how long have I had this on my TBR. But I have long enjoyed books that are off the beaten track, and this fit my type to a T. Strange, certainly, and melancholic, and unsettling and beautiful, I would recommend it to anyone looking for a fresh and surreal read.
ARC received from the publisher (Quill Tree Books) in exchange for an honest review.
I’m pretty sure I’ve been looking forwards to this graphic novel for a few years now, having first heard about it back in my webcomic-heavy era – the concept and the art were an immediate draw. I was delighted when I got a chance to give it a try.