This has been one of my most anticipated books of the year and the last book I read for this year’s r/Fantasy Bingo challenge. I was, first and foremost, intrigued by the Hungarian and Jewish influences. I like cultural worldbuilding, I like(d?) folktale-inspired fantasy, it seemed like a sure bet. Unfortunately, it was yet another disappointment – while I liked the themes of religious tolerance and the protagonist being torn between worlds, the plot was a nonsensical mess, the characters mediocre, and the ending more than a little eyebrow-raising, featuring one of my least favourite tropes. And not in a good way. The more I think about it, the less sense the plot makes – never a good thing.
However, due to the nature of my issues with the book, it’s impossible to talk about them in any detail without going heavily into spoiler territory. So be aware of that if you venture below the cut.
I have wanted to start the series since 2017, but have always been put off by the length. Long, slow, heavy books and series are something I’m almost never in the mood for lately, so in a way, I’m surprised that I went for it now. But while it was, indeed, too long for my mood, the plot was good enough that I was able to both finish and enjoy it.
Come for the scheming merchants, stay for the chekhov’s ostrich.
Sometimes, you have books on your TBR without quite knowing why, except perhaps a vague impression that someone, sometime might have said something good about it. Books for one day, maybe, but not soon. The Diviners was one of those – but I went for it and I’m glad I did.
She was tired of being told how it was by this generation, who’d botched things so badly. They’d sold their children a pack of lies: God and country. Love your parents. All is fair. And then they’d sent those boys, her brother, off to fight a great monster of a war that maimed and killed and destroyed whatever was inside them. Still they lied, expecting her to mouth the words and play along. Well, she wouldn’t.
Once again, it’s time for a batch of mini reviews. I might not be in a reading slump anymore, not quite, but I am in a bit of a reviewing slump and I finally have enough of these hoarded up for a post.
I’m not sure where to even start with this book – I’m not sure a review can do it justice. I picked it up because I heard about the 18th century references and it turned out to be one of the craziest, best, wildest, most cursed rides involving a lot of quite uncharacteristic incoherent screaming. It has to be experienced to be believed. As hard as it was to tell from my commentary while I was reading it, I think I might have a new favourite series. Definitely not for everyone, but very up multiple of my niche alleys.
I struggle to open history’s inner doors to you, to teach you how those who made this new era think and feel. In my age we have come anew to see history as driven not by DNA and economics, but by man. And woman. And so must you.
ARC received from the publisher (Orbit) in exchange for an honest review.
This has been, hands down, one of my most anticipated releases of the year. I’ve been looking for books with messy, complicated relationships lately, so that sounded fantastic, plus being promised critique of colonialism on top and that cover? With those arms? 😍
Unfortunately, while it’s a good book, I have to admit I found it something of a struggle, even if it was no fault of its own.
I know, this is historical romance, not SFF, and that this is supposed to be a SFF blog. But screw it, my blog, my rules, and when I find a perfect book, damn right I’m going to yell about it. It all started when I heard about Two Rogues Make a Right from Sara back in April – I have some extremely specific romance preferences, and when a book satisfies one of them, that’s usually plenty. This one seemed to tick off the whole damn list. Of course I had to. The only issue was that it was the last book of a series, but whatever, the other two can’t be bad – and indeed they were not.
This was technically a reread, but I remembered so little of what happened it might as well been a first time read. And unfortunately, it was not to be. It aged so, so badly and I couldn’t bring myself to reread the whole thing. And it almost soured me on Valdemar in general.
Unfortunately, I found myself in a reading slump again and not up to reading anything difficult or heavy. Then Valdemar got mentioned and it seemed perfect. I have read about seven or eight books as a teenager (the Arrows trilogy, The Last Herald Mage, some of Vows and Honor) and am slowly rereading them. This, however, was a first time read. I wasn’t very worried whether it would hold up – most of what I reread did just fine, I knew what to expect, and Take a Thief has a pretty decent reputation.
And sometimes, you just need fluff featuring magical horses and found families.